Motion Graphics & Animation in Nepal
Characters and motion work that give a brand a personality people remember.
- 2D/3D Sculpting
- Character Rigging
- Motion Graphics
- Storyboarding
What you get
Storyboards first, so the idea is agreed before anyone spends a week rendering the wrong one. Motion graphics — logo builds, lower thirds, UI animation, explainer sequences, social and ad cuts sized for the placement they are actually running in. 2D and 3D sculpting where a scene or a product needs to exist in three dimensions rather than be faked. Character rigging, so a mascot can be reused across a campaign instead of being redrawn from scratch every time.
Delivery is in the formats and aspect ratios you need — vertical for Reels and TikTok, square for feed, wide for YouTube and presentations, and lightweight web formats such as Lottie where the animation belongs inside a product interface rather than in a video player.
How it works
Strategy. A deep dive into goals, audience and the competitive landscape. What is this piece for — explaining a product, opening a video, carrying an ad, giving an interface some life? Where will it be watched, and will the sound be on? Motion made for a cinema screen and motion made for a muted phone feed are different pieces of work.
Wireframe. Storyboard and animatic. The beats, the timing and the script are set here in rough form, and revisions at this stage cost hours rather than days. Nothing gets modelled, rigged or rendered until the sequence makes sense on paper.
Visuals. Design frames, then animation. Style frames establish the look, then the sequence is built out — modelling and rigging where the work calls for it, then animation, sound and colour. This is where an existing brand identity gets translated into movement rather than decorated with it.
Deploy. Final renders in every ratio and format required, plus source files and any loop or transition variants. If the work runs as paid creative, it is cut into the versions the ad platforms want.
Who this is for
Nepali brands that need to compete in a feed, where a still image is scrolled past and motion is not. Product and SaaS teams who need an explainer that makes a complicated tool understandable before the viewer scrolls away. Hospitality and travel businesses with strong footage and no idea how to cut it. Retail and D2C brands running ad creative that has to stop a thumb. NGOs presenting data and programme outcomes to donors in something more watchable than a slide deck.
It also suits businesses that have just finished a rebrand and want the identity to move — a logo build, animated social templates, and a motion language their in-house team can reuse.
What it costs
The range is driven by length, complexity and technique. Seconds of finished animation is the blunt measure, but a simple 2D graphic sequence and a 3D character shot of the same length are nowhere near the same amount of work. Rigging, custom illustration, licensed or original music, voiceover, and the number of aspect-ratio versions all add to it. Revision rounds are agreed in advance, because motion revisions after render are the expensive kind.
Tell me the length, the format and where it will run, and I will quote it. Start there.
Questions
How long does an animation take to produce?
Longer than most people expect, because storyboarding and approvals take up as much of the schedule as the animation itself. The honest answer depends on length and technique — a short logo build and a full 3D explainer are different projects. I give a timeline with the quote once I know the scope.
Can you animate our existing logo and brand?
Yes, and that is a common starting point. If you have brand guidelines and source artwork, the motion is built from those so it matches the rest of your identity. If the artwork is not in a usable format, it may need redrawing first.
Do you provide voiceover, music and Nepali-language versions?
Voiceover and music typically come from external artists or licensed libraries, and those costs are quoted separately from the animation itself. Nepali, English or dual-language versions are straightforward to produce if you plan for them before the animation is locked, since subtitle and lip-timing changes are much harder afterwards.
What formats will I receive?
Whatever the placement needs — vertical, square and wide video exports, plus web formats such as Lottie for animations that live inside a website or app. Say up front where the piece will run so the right ratios are built into the project instead of cropped in afterwards.